christina lihan: paper shadowbox sculptures
يكشنبه, ۱ آبان ۱۳۹۰، ۱۲:۰۰ ق.ظ
چرا ما ظرفیت های کار با کاغذ رو نادیده می گیریم غالبا. یعنی کارهای دستی با کاغذ رو عموما کارهای ساده با بیان های ساده (هر چند گاهی خیلی پراحساس) می دونیم در حالی که پیچیدگی سایه و روشن و حجمی که این کار تونسته با کاغذ تنها و برش به دست بیاره خیلی زیاده.
حتما نوعی علاقه (بخونین عشق) پشت چنین کارهایی هست ولی خب همین نادیده گرفتن های ما هم منجر می شه در بین خودامون و کوچیک‌ترهامون اصلا این علاقه و عشقه مجال بروز پیدا نکنه.
'uffizi', a paper shadowbox sculpture by christina lihan
originally trained as an architect, US-based artist christina lihan creates elaborate paper relief sculptures,
mounted in shadowboxes and ranging from two to six inches deep. as subjects she has taken buildings ranging
from the eiffel tower and taj mahal to private residences and american cities.
all carefully assembled in detailed layers, the artworks are composed of unpainted, 300lb. coldpress watercolour paper.
lihan begins her work by photographing and sketching the site, generally creating scaled charcoal drawings
that she then enlarges to the planned size of the finished piece. she lays out the buildings directly over these sketched forms,
and cutting out details in place and ultimately assembling all the components into the finished composition.
all carving, scoring, cutting, and folding is completed by hand, and lihan admits that, basing her work
primarily on its aesthetic effect rather than on mathematical measurement, she frequently resizes the pieces
over the course of production to achieve the most accurate perspective.
detail view, 'uffizi'
'taj mahal'
closer view, 'taj mahal'
detail view, 'taj mahal'
'george washington bridge'
'south beach condominium'
'place des vosges'
'raleigh'
'palladio'
closer view, 'palladio'
'eiffel tower'
detail view of base of 'eiffel tower'
to create the sculptures, lihan overlays paperwork over full-scale sketches of the architecture
process shot