کالبد معماری می تونه سخن از واقعیتی داشته باشه. این که ساختمانی دانشگاهی این چنین در شهر تاثیرگذار باشه و بدنه مردم روزانه به طور مداوم از میان کالبدش و روی بامش حرکت کنن، بنشینن و استراحت کنن و اون رو جداشده و نرده کشیده شده نبینن می دونین چه تاثیرات خوبی برای جامعه داره؟ و چه تاثیرات دو چندان خوبی برای خود دانشجوها داره!؟ این که با مردم عادی همراه و همنشین بشن.
مثلا تو همین ایران خودمون که گرفتیم و دانشگاه ها رو تو حصاری سخت محصور کردیم به چی رسیدیم؟ الا اینه که اگر خیری هست در دانشگاه محصور مونده اون جا؟ و مهم تر الا این که دانشجوهایی غیرواقعنگر و غیر مردمی بار میاریم که نتیجه ش رو در حوادثی نظیر فتنه سال 88 مجبوریم تحمل کنیم....
این که بدنه ملت توسط قشر محدود اما تاثیرگذار دانشجو درک نشن و دانشجوها در حصاری خودتنیده بار بیان خطری بزرگ برای یک جامعه ست....
راستی :) دانشگاه زنان در سئول!
قابل توجه اون ها که به کلمه تفکیک جنسیتی دانشگاه ها حساسیت عصبی دارن و فکر هم می کنن روشنفکری شون دلیل این عصبیت هاست!
© André Morin / DPA / Adagp
Location: Seoul, Korea
Partners: Baum Architects, Seoul
Engineering: Perrault Projets, Paris (Architectural Engineers); VP&Green Ingenerie, Paris (Structural Engineers); HL-PP Consult, Munich (Building Services); Jean-Paul Lamoureux, Paris (Acoustic), Rache-Willms, Aix-la-Chapelle (Facades)
Consultant: Jeon and Lee Partners, Seoul (Structural Engineer), HIMEC, Seoul (Mechanical Engineer), CG E&C, Seoul (Civil Engineer), CnK Associates, Seoul (Landscape)
Built Area: 70,000 sqm
Completion: 2008
Photographs: André Morin
The complexity of the immediate site through its relationship to the greater campus and the city of Shinchon to the south demands a “larger than site” response, an urban response, a global landscaped solution which weaves together the tissue of the EWHA campus with that of the city. This gesture, the “campus valley”, in combination with the “sports strip”, creates a new topography which impacts the surrounding landscape in a number of ways.
The Sports Strip, like the Valley, is many things at once. It is a new gateway to the Ewha campus, a place for daily sports activities, a grounds for the special yearly festivals and celebrations, and an area which truly brings together the university and the city. It is most importantly a place for all, animated all year long. Like a horizontal billboard, the sports strip presents the life of the university to the inhabitants of Shinchon, and vice-versa. Once through the sports strip, pedestrian movement and flow through the site is celebrated. A new “Champs Elysées” invites the public into the site carrying students and visitors alike through the campus center northwards, bringing together the different levels of the site.
The pastoral nature of the campus is perhaps its most remarkable quality. It should be permitted to grow outwards, or inwards in this case, covering the campus center with trees, flowers, and grass. The park is re-drawn. An idyllic garden is the result, creating a special place for gathering, conducting informal classes, and simply relaxing. The notion of weaving together the campus is again evident, blurring the distinction between old and new, building and landscape, present and past. “Les Champs Elysées”
A new seam slices through the topography revealing the interior of the EWHA campus center. A void is formed, a hybrid place, in which a variety of activities can unfold. It is An avenue, gently descending, controlling the flow of traffic, leading to a monumental stair carrying visitors upwards, recalling les Champs Elysees or the Campidiglio in Rome.
• An entry court, from which access to the various departments exist,
• A node, or point on a trajectory to another destination,
• A forum for the exchange of ideas as students gather after class to discuss their views,
• A piazza, with the cafeteria spilling out creating a real “place” to stop and relax,
• An outdoor theatre, as the stair can be used in an amphitheatre like fashion,
• A sculpture garden, where indoor gallery events can push outwards. It is precisely this flexibility (conceptual and real) which permits the New EWHA campus center to inevitably weave itself into the landscape sometimes a building, sometimes a landscape, sometimes a sculpture.