heath nash: plastic bottle roof shade
چهارشنبه, ۵ مرداد ۱۳۹۰، ۱۲:۰۰ ق.ظ
این پست قرار داره
به تمامه به visiting school مدرسه AA که چند روز پیش در دانشگاه تهران به دوره‌ی خودش پایان داد، بخنده!
دوره‌ای که با خرج گزاف شرکت کننده‌ها و کلی ادعا و بحث نتایجی سخت تاسف برانگیز داشت!
پیشاپیش از دوستانی که به هر نیت در اون دوره شرکت کردند برای نگاه متفاوتم عذر می خوام و تضمین بدم که به هیچ وجه مورد نظرم توهین یا خنده به اون ها نیست..... یانون دیزاین این دوستان رو مقصر نمی دونه! بانیان امر رو اندکی بی عزت و غرب‌زده و سخت عقب افتاده و البته به طور کامل از کارافتاده می دونه.
---------
ببینین جوون های آفریقای جنوبی با آشغال و ظروف بازیافتی بدون سرپرستی تیم ای ای و خرج یک وچند میلیون تومن ناقابل و بدون کمک گرفتن از کامپیوتر و بدون پیتزای شبانه خوردن و بدون مراسم افتتاح و اختتامیه گرفتن و بدون خیلی چیزها که ما به اسم دوره‌ی فلان برگزار کردیم
به حق به دستاوردها و یافته هایی به مراتب بهتر از دوره‌ی دانشگاه تهران رسیدن!
متاسفم برای دانشگاه تهران. و نظام آموزشی
که وقتی این طور فرآیند تجربی رو در دانشگاه مختل می کنن و مانع تراشی می کنن بعد مجبور می شن با همکاری :) مدرسه AA انگلستان و با پذیرفتن خیلی توهین های مخالف عزت! بیان و دوره‌ای این قدر هزینه بر (آخه برا چی!!!؟) بذارن و همه‌ش بشه اعتباری دروغین برای دانشگاه تهران و البته اعتبارافزایی به اعتبار پوشالی (هرچند راستکی) مدرسه AA در ایران!
متاسفم برای آموزش معماری این سرزمین.
working on one of the shaded structures made from transparent blue water bottles
all images courtesy of heath nash
south african designer heath nash was invited to produce a public light installation with local zibabwean / hararean artisans as part of the
2011 HIFA performing arts festival.
the starting points for the sculptural project came from harare, zimbabwe in which the event is held. walking around the city,
nash observed the shaded areas below trees where many people often congregate to sit, relax and talk with one another,
while public kiosks are found throughout, selling flowers, coca-cola etc., generally existing as trade hubs. he also recalled the strong 60s and 70s
architectural elements which are a dominating part of the urban landscape...
drawing on the way in which public space is used in harare, nash decided that it was probably more beneficial
to produce a structure of shade rather than a lighting installation, which would realistically only be used at night.
he worked with five skilled artisans from the area, each skilled in different craft practices and specific materials to execute his vision.
continuing with his exploration and utilization of waste materials through the design, the final structures were based on repeat patterns
from the city of harare's architecture which were formed through the use of plastic bottles of all shapes, sizes and colors.
detail of one of the roofs
working on a short time line, the first few days were spent introducing the project, sorting out budget and acquiring the right
waste materials to build the structures. with a lot of plastic waste collected, one of the issues that needed to be resolved was how
and where all this raw material would be cleaned. the crew obtained scrap metal and wood from harare's famous market 'siya so',
which translates to 'leave it like that' - in short, 'don't complain - what you see is what you get', which became the name of the installation.
the result is a colorful and vibrant use of local resources combined with local craft traditions.
raw materials cleaned and ready to go
the participating artisans were:
booker sipeyiye, tinos marimira, martin mhlanga, kay dirau, and aaron masaka, who were assisted by five other crafters
including clever mucheru, ngonidzashe gono and tichaona maledadi.
a roof construction made from a metal frame with wire used to keep the plastic bottle components intact
assembling one of the shades
a colorful green and yellow roof
wood and metal scraps were used to build the structural frames
aluminum cans were cut and woven creating textural coverings
production in progress
installation in progress
colorful raw material
cutting and assembling plastic containers
more raw material...
found metal and wood parts used as structural components
designer heath nash with some of the artisans
all images courtesy of heath nash
south african designer heath nash was invited to produce a public light installation with local zibabwean / hararean artisans as part of the
2011 HIFA performing arts festival.
the starting points for the sculptural project came from harare, zimbabwe in which the event is held. walking around the city,
nash observed the shaded areas below trees where many people often congregate to sit, relax and talk with one another,
while public kiosks are found throughout, selling flowers, coca-cola etc., generally existing as trade hubs. he also recalled the strong 60s and 70s
architectural elements which are a dominating part of the urban landscape...
drawing on the way in which public space is used in harare, nash decided that it was probably more beneficial
to produce a structure of shade rather than a lighting installation, which would realistically only be used at night.
he worked with five skilled artisans from the area, each skilled in different craft practices and specific materials to execute his vision.
continuing with his exploration and utilization of waste materials through the design, the final structures were based on repeat patterns
from the city of harare's architecture which were formed through the use of plastic bottles of all shapes, sizes and colors.
detail of one of the roofs
working on a short time line, the first few days were spent introducing the project, sorting out budget and acquiring the right
waste materials to build the structures. with a lot of plastic waste collected, one of the issues that needed to be resolved was how
and where all this raw material would be cleaned. the crew obtained scrap metal and wood from harare's famous market 'siya so',
which translates to 'leave it like that' - in short, 'don't complain - what you see is what you get', which became the name of the installation.
the result is a colorful and vibrant use of local resources combined with local craft traditions.
raw materials cleaned and ready to go
the participating artisans were:
booker sipeyiye, tinos marimira, martin mhlanga, kay dirau, and aaron masaka, who were assisted by five other crafters
including clever mucheru, ngonidzashe gono and tichaona maledadi.
a roof construction made from a metal frame with wire used to keep the plastic bottle components intact
assembling one of the shades
a colorful green and yellow roof
wood and metal scraps were used to build the structural frames
aluminum cans were cut and woven creating textural coverings
production in progress
installation in progress
colorful raw material
cutting and assembling plastic containers
more raw material...
found metal and wood parts used as structural components
designer heath nash with some of the artisans