یانون دیزاین ... yanondesign

نگاهی روزانه به طراحی و هنر
نشریه‌ی ‌الکترونیکی روزانه؛ جسـتاری در هـنر و طـراحی
مشترک روزنامه یانون‌دیزاین شوید
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دوباره یانون‌دیزاین

قریب به نه ماه از آخرین پست انتشاری یانون‌دیزاین می‌گذرد! و دقیق‌تر قریب به یک سال از کم فعالیت‌ شدن و خسته‌ شدن یانون‌دیزاین!

یانون‌دیزاین تا پیش از این یک سال، با جامعه بزرگ و علاقه‌مندی از حوزه طراحی ، معماری و هنر آمیخته شده بود. خیلی‌ها در سال‌های ۸۶ که فقط به فرستادن ایمیل‌های گاه‌به‌گاه دیزاین به صندوق ایمیلی معدودی از دوستان ورودی ۸۵ دانش‌گاه هنرم مشغول بودم تا همین آغاز سال ۹۶ ، کم کم روزانه با ایمیل روزنامه یانون‌دیزاین، سیر اینترنتی خودشان در جهان هنر و طراحی را شروع می‌کردند. خیلی‌ها ابراز لطف فراوانی را در این سال‌ها به تیم فعال یانون‌دیزاین ابراز کرده‌اند و همین خیلی‌ها و بسیاری که منتقدانه و تیزبین همیشه ما را مدنظر داشتند، عمده انرژی و انگیزه پیش‌برد حرکت یانون‌دیزاین بودند. 

واقعیت آن است که مسائلی شخصی برای یک‌سالی این حرکت را متوقف کرد... اما عمده انگیزه‌ای که این سال‌ها پشت یانون‌دیزاین بود و اتفاقات خوبی که پیرامون آن در سال‌های گذشته افتاده بود مانع آن می‌شد که به کل یانون‌دیزاین را فراموش کنیم....

ما به امید خدا از امروز یعنی ابتدای اردی‌بهشت ۹۷ دوباره با انگیزه شروع خواهیم کرد. با هم از جهان هنر و طراحی خواهیم دید.... روزانه و پابه‌پای تحولاتی که در پیرامون‌ ماست.

نما با توده‌های کاه / آرین ریاس

يكشنبه, ۱ ارديبهشت ۱۳۹۲، ۱۱:۵۸ ب.ظ

نماسازی متفاوت این ساختمون ظرفیت‌های جدیدی از کاه رو برای ما روشن می‌کنه. طراح گرفته نمای ساختمان رو با توده‌های کاه بسته‌بندی‌شده در مزرعه به نحوی طراحی کرده که انگار یک لایه‌ی ضخیم کاه سرتاسر بنا رو پوشانده. اولا به دلیل کیفیت توده‌های کاه، ساختمون اون تیزی و شق و رقی‌ش رو از دست داده و دوستانه شده. در ثانی دوستان می‌دونن که این کار چه میزان می‌تونه به عدم اتلاف انرژی و تجربه‌هایی که ما در معماری سنتی روستا‌هامون داریم نزدیک باشه. 

در وضعیت فعلی هم در ایران واقعا نباید دست خودمون رو در معماری و انتخاب متریال برای ساخت بناهامون بسته بدونیم. باید جست‌جو کرد و ابداع کرد و معبر باز کرد تا بقیه هم بتونن پی‌روی کنن....

Living on the Edge by Arjen Reas

Thatching covers the walls as well as the roof at this house in Zoetermeer, the Netherlands, by Dutch architect Arjen Reas . Located on the edge of the city, the building was designed as a cross between a contemporary house and a traditional Dutch farmhouse. "We wanted to capture this rural and urban living in one design," Arjen Reastold Dezeen.

Living on the Edge by Arjen Reas

The thatched cladding begins just above ground level and wraps up over all four sides of the two-storey gabled structure, interrupted only by projecting canopies, windows and a chimney.

Living on the Edge by Arjen Reas

"We used the thatch like a warm hat and pulled it down over the edges," explained Reas. "The benefit of this is that the thatch becomes touchable. Also when looking through the windows, it surrounds you."

Living on the Edge by Arjen Reas

Tall narrow windows create vertical slices into the roof and walls on the two side elevations. Meanwhile, glazed doors fold open from the rear elevation to connect the living room with a terrace and garden.

Living on the Edge by Arjen Reas

"One of the priorities while designing this house was to provide the residents with a magnificent view of the scenic landscape," adds the architect.

Living on the Edge by Arjen Reas

A rectangular volume projects forward of the front elevation to create a two-storey-high sheltered porch, while a ramped driveway slopes down to meet a parking garage in the basement.

Living on the Edge by Arjen Reas

Storage areas are also located on the lowest floor, while living and dining rooms occupy the ground floor and the first floor contains four bedrooms and a bathroom beneath its sloping ceilings.

Living on the Edge by Arjen Reas

Thatched roofs have cropped on a few recent architecture projects in the Netherlands. Amsterdam studio Inbo has completed a town hall with thatching covering five curved blocks, while Rotterdam studio Maxwan has renovated and extended a thatched cottage.

Living on the Edge by Arjen Reas

Living on the Edge by Arjen Reas

Photography is by Kees Hageman.

Living on the Edge by Arjen Reas

Here's some more information from Arjen Reas:


This project is a private assignment for an entrepreneur from the city centre, and the question was posed, how could the family find peace on the edge of that same city. The site located where the city and open planes meet, and therefore has an obvious recognition that cannot be ignored.

Living on the Edge by Arjen Reas

In the earlier times people here used to work with shapes for houses that were pure and plain, thatch was used as a cover for the roofs and the walls where made out of stones and a clay plaster.

Living on the Edge by Arjen Reas

We were challenged to fuse together traditional ideals with a contemporary house design, a cubistic shape placed in a desolate landscape, where all urban feeling is gone when you look at the surroundings. Contemporary rural living was chosen as a project to mix the two in pure form.

Living on the Edge by Arjen Reas

Above: basement floor plan - click for larger image

New Dutch Design

When working with pure forms it's also important to look at simplicity, durability and expression. The mix of two very different but recognizable materials in the Dutch landscape results in a both a modern and traditional structure. The fine texture of the thatch in combination with the smooth white plaster surfaces a house is formed that is very modern and traditional at the same time. The compactness of the thatch gives optimal protection against the elements.

Living on the Edge by Arjen Reas

Above: ground floor plan - click for larger image

The interior successfully combines natural materials creating something unique. By designing a natural interior certain tranquility arises throughout each room and now there is also room left for the residents to restyle their space continuously.

Living on the Edge by Arjen Reas

Above: first floor plan - click for larger image

One of the priorities while designing this house was to provide the residents with a magnificent view of the scenic landscape. This was successfully done within each room in the house. Daylight falls deep into the house and lights up the space within and gives it a dynamic character during the day, while by night the house radiates its light to its surroundings and thereby marking its position in the landscape.

Living on the Edge by Arjen Reas

Above: section one - click for larger image

Layout

Via the slope residents can park their car in the basement, where there are also two extra storage rooms and an entrance to go up by stairs and enter the main living space with a beautiful open kitchen where all the modern comforts are integrated in. When walking through this open space towards the large transparent slide doors, you immediately get pulled to go into the garden. Here you can sit and relax or walk on the plateau to oversee the whole landscape.

Living on the Edge by Arjen Reas

Above: section two - click for larger image

The main entrance is surprisingly spacious and with its transparent separation with the kitchen a lot of light is coming in. Here you can enter the scullery, toilet, wardrobe or walk straight up the stairs to the second level. On this level you can go to the main bedroom, the second bathroom and three other bedrooms.

Living on the Edge by Arjen Reas

Above: west elevation - click for larger image

In the master bedroom the residents can choose to go and have a spacious shower or to go and take a bath before or after going to bed. When sitting in bath or lying in bed, you still have a great open view at the landscape.

Living on the Edge by Arjen Reas

Above: east elevation - click for larger image

Designer: Arjen Reas
Location: Zoetermeer, The Netherlands
Project area: 744 m2
Floor area: ca 360m2
Project year: 2009-2010
Construction: Adviesbureau Docter
Contractor: C.L. de Boer & Zn BV
Thatch: Voogt Rietdekkers

[ طرح انتخاب شده از : Dezeen ]

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